brazerzkidaiuv.blogg.se - Renoise pitch shift automation

#RENOISE PITCH SHIFT AUTOMATION FOR MAC OS X#
#RENOISE PITCH SHIFT AUTOMATION FULL#
#RENOISE PITCH SHIFT AUTOMATION CODE#

Just look at that: core + player for specifying list of files to be built. This is super-awesome:Ĭore = Glob('./core/*.cpp') + Ĭore + Glob('./vsti/*.cpp') + ,ĬPPPATH = '#/libs/vst-sdk', CCFLAGS='-m32 -lstdc++', LINKFLAGS='-m32 -lstdc++'Įven if you have never seen an Sconstruct file before you can already grasp an idea of the purpose of the above script. Just look at the Sconstruct file and compare it with any other Makefile. Besides, it's very DRY, which is a total opposite to my latest Makefiles, so I love that. And although I still don't totally get Scons, I like the fact that it's python, so I know the syntax already. I had tried CMake a couple of years ago but it didn't fully convince me. Incidentally, I have also begun to use Scons instead of Makefile with this project. This is different to the usual style of returning interleaved samples (like for example when outputting audio through SDL), but I'm doing it this way because that's how VSTi works, and it's easier to work like this all the way and just interleave things together if the data is requested by an SDL-based application. These voices are then added together and returned via the SorolletPlayer's getBuffer method, which is very similar to the SorolletVoice's getBuffer method: both receive two output buffers (one for the left and one for the right channel), and a number of samples to be returned. There can be any number of voices -subject to your computers' limits-, each like the following one:

#RENOISE PITCH SHIFT AUTOMATION FULL#

Now I can compose the full song from within Renoise, including changing synth parameters during the song -so for example the filter can have its low pass frequency changed with an envelope defined in an associated automation device-, and when I'm done and ready, I simply run a little python script which processes the song file and extracts the relevant data in order to use it on my own application. This fixed several shortcomings with my previous workflow: the lack of a real-time modifiable GUI (or in other words: sliders!!) and the tedious export process to convert a tracked song into something I could use on an intro or demo. So this change was slightly cosmetic.īut the biggest change -and the decision I'm most proud of having chosen- was creating a VST instrument. It just feels better calling object methods, rather than calling a function and passing it a pointer to an struct. The reason for changing to C++ was that I'm simply more used to working with classes and methods than with structs and functions.

Have an interactive GUI for editing the synth parameters.

#RENOISE PITCH SHIFT AUTOMATION CODE#

Change to a C++ object oriented code style.

So I decided that if I ever did a new version, I would change things so that they were easier for me. So creating a song was a painful process: I had to load similar sounding samples into Impulse Tracker and then compose the song that way, setting the parameter values in the template song.h file. The first version was written back in 2008 for my 64k intro to_the_beat it was programmed with pure C and the songs were semi-automatically imported from Impulse Tracker into a prepared template which contained the parameters for the synths. This is an evolution of my first attempt at software-synth making. Of course you'll be gladly welcome if you contribute with something. I don't know when any of these things will be done.

Look into SSE instructions in order to make certain calculations in parallel.

Simplify more the code so that it's smaller (probably remove the dependencies on the CRT, but I'd like to do that in a clean, non-hackerish way).

convert them into VST plug-ins and load them in Renoise too, as part of the effects chain)

Probably remove the inbuilt filter, saturate and EQ units and move them to separate modular units (i.e.

A better (custom) GUI - not relying on the host's provided GUI.

#RENOISE PITCH SHIFT AUTOMATION FOR MAC OS X#

VSTi builds for Mac OS X and/or Windows.No animals were harmed, either )īizarría sorollosa by supersole Downloads and source code No other samples or VST instruments or effects were used. This song is done using exclusively SorolletVoice's and the stand-alone SorolletPlayer. h (C include files) that can be used in the stand-alone player, for intros, demos, games or anything that comes to mind. Simple additive monophonic synthesiser, based on two oscillators, a noise generator, volume and pitch ADSR envelopes and some basic filtering.Īn exporter can convert Renoise songs to.